PO Box D3500
Pomona, NY 10970
nfernz

(all photos by Noel Smith)
1899
THE BIRTH AT SUDIE CATON’S
Sudie Caton’s time has come.
Nancy Ann has carefully laid out
her scissors, white sheet
and packets of herbs. It is dark
but for the flickering
of a single candle guttering
on the broken-down stove.
The night air pours in
through gaps in the log walls.
The twins have gone up the creek
with their grandmother.
Nancy Ann tilts a splint chair
against the chinking to doze, but hounds
whine and shuffle under the planks,
and far toward the mountain
an owl’s sob sifts in over and over.
Two gnarled hands appear
inside the door sill and old Papa Jamison
skinny as a string of pulled gum
jerks in on hands and knees,
a corn cob pipe bobbing in his mouth.
His neck wags this way and that
sniffing danger. He sees Nancy Ann,
swears, spits and crawls back out.
Nancy Ann walks Sudie Caton up and down
the plank floor to encourage her body
to give over its tiny prize,
one figure leaning on the other,
a walk so ancient and patient
in its steadfastness
that each footfall is a prayer.
At long last the morning sifts in flawless,
each leaf bejeweled with light.
Sudie Caton is stretched out on the iron bed
where the sun shines in on her
through a hole in the wall.
Amos’ head jerks into a beam of light.
As his body slithers into the crisp air,
steam rises from his flanks
and this blinding shaft
ignites him briefly before Nancy Ann
wraps him in the blanket the church sent.
2005
I TELL YOU I AM BY MYSELF DOWN HERE
You’d think on this bright day
the way the light is,
messages could come in from outlandish places.
I call to my great grandmothers
on down the line all laid to rest
in the Campbell cemetery with the babies.
You, Granny Haywood, were
buried in shame all by yourself,
just cause you were stuck
with that wild man Jobie Creech
all the time messing with women.
They say you shot his favorite, Emmie,
her with her baby in her arms.
She was down a while before she died.
Being as the baby was Jobie’s, you raised it.
Once in a while Jobie would
take Emmie something special.
One time it was sausages and souse.
He wrapped it up for her
and just as he left,
you switched it to a poke of cow pies.
Nothing like that happens to me.Just as well. You, Granny Haywood,
were buried as befits a murderer.
I never knew you and still I miss you.
How was it for you all? In your time
did you feel the gray mist all day
clamping down, pressing on your chest
as if you was under the river?
And the little coffins. I would like
you to tell me, how you got through.
After that we wouldn’t have much
to talk about as I just have
t.v., my girl friends and my new pickup.
Jesus isn’t around that much.
I just get up, put my McDonald’s uniform on,
go to work, come home, watch my stories.
But the way the light is today,
messages ought to come in.
I feel it every time that Redbird sings
but I’ve not the tongue to name it.
I tell you I am by myself down here.
1940
CALEB AIN’T GOING TO DO ME
LIKE HE DID FANNIE
Right after they married sister Fannie off
Caleb and Bige Wheeler rose up
drunk as hoot owls and hollered for me.
I tore up the mountain like a wall-eyed bat
over the head of the holler, thorns
drawing blood, and down the branch along
those bald stones so wet and shiny,
through the dark green hemlocks like rooms
that hide me. I stopped in the cool moss
to listen to the branch, the way it just jingles along
without a care in its sweet singing. It said
soon you will be gone from this black place.
Directly I came on Uncle Digby sitting on his porch.
I said, Caleb ain’t gonna do me like he did Fannie
and I’ve come to ask you for some money
so I can get gone from here. Uncle Digby,
them kind blue eyes of his, You just a child, he said,
Lord have mercy. He went in and came out,
handed me a handkerchief tied up,
money inside. I hopped a train to Aunt Suzie’s
and stayed till the day Johnny Howard came to me.
from THE WELL STRING

In an Appalachia both dark and light, a place described by poet Noel Smith as “this soft country of tough harvests,” the reader comes to know a cast of vivid characters.
THE WELL STRING is not only a poetry collection, but a novel in poems — focusing on one fictional family over a span of more than 100 years.
Novelist Silas House, in the book's foreword, calls THE WELL STRING "a journey of wonders," "a powerful book," and "a gift." House adds, "Many of the characters in THE WELL STRING are so haunting that we might never forget them," noting that Smith also "captures the natural world, which she knows has 'always the song of the Redbird, like a silver drop.'"
Novelist Lee Smith describes THE WELL STRING as "highly charged with intensity and originality, yet oddly familiar somehow, as if it has actually happened to us."
Poet and novelist Ron Rash calls the book "vividly rendered ... excellent" and "utterly convincing," concluding that "THE WELL STRING is a significant contribution to Appalachian Literature."
Copyright Noel Smith. All rights reserved.
PO Box D3500
Pomona, NY 10970
nfernz